Ed Piskor has been a professional cartoonist in print since 2005, initially drawing American Splendor comics written by Harvey Pekar. The pair collaborated on two graphic novels, “Macedonia” and “The Beats.” Following his interest in the history of hacking and phone phreaking, Ed began self-publishing “Wizzywig,” a series that has seen three volumes published to date, covering three-quarters of the full story.
More recently, Ed designed characters for the new Adult Swim series, “Mongo Wrestling Alliance.” However, this week, Ed Piskor became embroiled in controversy, accused of sexual misconduct, specifically in allegedly grooming an underage girl of 17 years old. Unfortunately, stories like these are all too common across various fields, underscoring the importance of protecting the victims, ensuring justice, and providing them with a safe environment.
For consumers who have enjoyed the work of individuals implicated in such misconduct, a dilemma arises. How should one engage with the creations of those who have been credibly called out for reprehensible behavior? While seeking out new work by these individuals is one approach, many are faced with the challenge of reconciling their admiration for art created by individuals whose actions they condemn.
Personally, some take a firm stance on how they interact with media produced by individuals involved in such scandals. For example, refraining from watching films by Woody Allen until after his death, when he can no longer profit from their enjoyment, is one approach. Similarly, some may choose not to financially support artists like Ryan Adams, despite having personal attachments to their work.
Each person may have their own approach to grappling with this issue. Ultimately, it raises complex questions about the relationship between art and its creator’s actions, prompting reflection on how to navigate these ethical dilemmas.
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